Movin’ To LA

Packing up work and shipping it out to some of my collectors. Selling some of my early work since I’m moving to LA and starting a new life! Feels good to let go of the emotionally charged paintings from 2010, 11 and 12

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New owners of Grief 2, Loving an Addict, The Last Straw, and others. I hope they have a strong capacity for living with intensity!

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Red Dawn ‪#‎art‬ ‪#‎sandiego‬ ‪#‎LAarts‬ ‪#‎Losangeles‬ ‪#‎contemporaryart‬ ‪#‎abstractpainting‬ #interiordesign

The breaking of a new idea, a new illumination into ones conscious mind. The rising sun icon in my work represents the emergence of the spirit or soul from the sea of ego based desires and attachments toward an illuminated state of unconditional love and forgiveness.

Available – Jill Joy – Red Dawn – oil on canvas – 45x69x2.5 http://www.jilljoy.com/purchase/red-dawn-original-oil-painting-45x69x25-signed-giclee-prints

Red, magenta, orange and white abstract painting that references the sea and the sky as metaphors for universal consciousness. Serene, dynamic and powerful.

Available – Jill Joy – Red Dawn – oil on canvas – 45×69

The original oil painting is available. Giclee prints on canvas are stretched over 2″ deep stretcher bars with complementary color printed on the side (ready to hang). Prints are also available on archival cotton rag paper suitable for framing. All prints are hand signed by the artist.

Additional sizes and print media (plexiglass, aluminum, etc.) are available. For custom sized prints contact Jill.

Not Just A Pretty Face #art #contemporaryart

In addition to being an artist, I am a budding art collector. My fourth purchase of original art just arrived by UPS. I was so excited when I saw the package was from the Lois Lambert Gallery in Los Angeles. Some of you may know I’ve switched to being a full-time artist from corporate marketeer, so I could ill afford, really, to buy a piece of art. But I was cold calling galleries in November and I saw this photograph. It immediately spoke to me and I had to have it.

Tamar Levine - What A Life #5 - Digital Photograph - 1/15 - 2014

Tamar Levine – What A Life #5 – Digital Photograph – 1/15 – 2014

The fall had been a tough time to say the least. My on again off again relationship was off again at the end of the summer, this time permanently I believe. There were other things going on in my life that were difficult, hard choices to move my creative life forward at the expense of material security among other things. Those close to me were experiencing hardship and uncertainty. All of which had me feeling adrift.

When I opened the box I was moved to tears. Because emotionally this photograph is right where I am at. I thought to myself, this is the pure purpose of art, to make us feel. Because when we allow ourselves to feel, we become whole. We heal. It also helped me accept life. This is life after all. We sometimes feel adrift. We are constantly challenged. It never ends. We reach one pinnacle, only to find another calls our name. This photograph and the photographer also made me feel as though I was not alone. It pointed me to our shared humanity. Which is such a gift these days in an isolated world of sole proprietorship, telecommuting and social networking rather than face time.

One of the good things that happened this fall was finding an art gallerist in Florida who really seems to understand my work and what it is about, the drive for conscious evolution and spiritual healing toward enlightenment. The first step to transcending where we are is to acknowledge where we are and to feel.

“I want to encourage people to experience feelings and memories that they have lost touch within the course of their lives. If for one moment in an individual’s day they can step away from the confines of the structure of their life and indulge their eyes and minds in a work of art, perhaps they can reconnect with a part of themselves or of the world that might otherwise be forgotten.” – Jessica Salameh, Wall Street Fine Art, Ponte Vedra Beach, FL.

That’s what Tamar Levine’s photograph does for me. Like the model, it brings me right beneath the surface of the ocean of my mind and plunges me into feeling. So yes, when buying art we sometimes want it to make us feel good and we sometimes want it to match the wall color or the couch and harmonize our surroundings. But that is not the most powerful purpose and application of art. Helping us drop into the ocean of our subconscious experience is. Thank you Tamar Levine for allowing me to know myself.

“The Journey”

Originally posted on the secret keeper:

“The Journey”

One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice —
though the whole house
began to tremble
and you felt the old tug
at your ankles.
“Mend my life!”
each voice cried.
But you didn’t stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do —
determined…

View original 11 more words

Enlightenment – Elevator Speech #art #abstractpainting #arts #enlightenment

I was at a party this weekend. My slightly beer-addled brain was unable to encapsulate exactly what it is I am doing with my art (add to that jammed circuits because my ex was present). Never mind describe the actual paintings (always very difficult). So when I got home, I  thought, I need to summarize this. Not just for my fellow humans, but for me. So here’s what I came up with that seemed to encompass 20+ years of painting and the evolution across a multitude of styles (see below):

Jill Joy - Intertwined - oil on canvas - 30x60 - 2014

Jill Joy – Intertwined – oil on canvas – 30×60 – 2014

“My work is essentially about enlightenment: Transcending individual thoughts, emotions and experiences towards identification with something beyond the self that is universal and all encompassing. My art seeks to understand our place in the universe, the transience of life and the existence of a broader vibrational field of love that encompasses us all.”

Jill Joy - Growth - oil on canvas - 60x48

Jill Joy – Growth – oil on canvas – 60×48

Consciousness #art #spirituality

I look up and I see the sky.
It becomes part of me.

My feelings like clouds
against the clear blue vastness,
scudding across the backdrop of
infinite consciousness.

I look out and I see the ocean.
It becomes part of me.

My memories like islands
in a sea of universal mind.

Jill Joy - Gathering Storm - oil on canvas - 48x72 -2014

Jill Joy – Gathering Storm – oil on canvas – 48×72 -2014

Jill Joy - Blue Sky - oil on canvas- 45x69 - 2014

Jill Joy – Blue Sky – oil on canvas- 45×69 – 2014

http://www.collective-evolution.com/2014/12/12/is-consciousness-a-product-of-the-brain-or-a-receiver-of-it/

http://www.jilljoy.com

http://www.deandaygallery.com/

The Artist Purges Her Wound

I just got back from 10 days in Europe where I was immersed in the work of French American Artist, Niki de Saint Phalle. A friend of mine works for her foundation and among other things we went to the opening of a museum retrospective of her work at the Grand Palais in Paris and then her Tarot Sculpture Garden in Tuscany.

Les Trois Grâces, 1994

Niki de Saint Phalle – Les Trois Grâces, 1994

I can honestly say I am inspired by her. Not so much by the late work that made her famous (above), but more so by her early work and the process of her life, the progression of her art and the sacrifices she made. Her work crosses the trajectory from the purging of the darkness of early wounds to the reaching for something universal and joyful in her well known “Nana” sculptures.

dscf1374-la-femme-mariee

Early Bride Sculpture – Niki De Saint Phalle – La Femme Mariee

This photo of one of her brides is hard to appreciate if you don’t see it in person. It’s a collage of plastic spiders and babies and other disturbing things. A dark commentary on the limitations imposed on women when forced to uptake the role of wife and mother by conditioning rather than choice.

She was molested by her father as a child and much of her early work is purging the anger and sadness and sense of betrayal this caused her as well as divesting herself of society’s expectations of her as a woman to be a wife and mother. Some of her earliest work, the Shooting Paintings, express outrage against injustice of all sorts especially against the innocent.

Niki-de-Saint-Phalle_fusil

Niki-de-Saint-Phalle_fusil

niki-de-saint-phalle-1961-links-saint-sebastien-or-portrait-of-my-lover-rechts-videostill-daddy-b

niki-de-saint-phalle-1961-links-saint-sebastien-or-portrait-of-my-lover-rechts-videostill-daddy-b

Why am I so taken with this woman’s story? It is the parallels that validate my own path as an artist that make is so powerful for me. I too have seen my work move from the dark, violent and personal to something purer, simpler and more universal or illuminated.

Jill Joy - Love and Betrayal - mixed media on canvas - 48x72" 2007

Jill Joy – Love and Betrayal – mixed media on canvas – 48×72″ – 2007

 I too have struck on simpler, purified work that seems to have more commercial viability.

Jill Joy - Gathering Storm - oil on canvas - 48x72 -2014

Jill Joy – Gathering Storm – oil on canvas – 48×72 – 2014

I too knew and released the confines of traditional marriage and family. I too have had an on again, off again lover and muse who I simply can not shake despite the best efforts and advice of my friends and therapist. I too have sacrificed my health and wealth to create art.

But perhaps more than all of that was my appreciation for her early work and how it caused me to appreciate mine. What I saw in the retrospective at Le Grand Palais was not only the accomplishment and appeal of the later work, but how much the humanity and the personal struggle of Niki’s early work spoke to me. It was like watching the progression from the human to the divine condition. It was the human condition that spoke to me, stayed with me, haunted me. And it seemed much of that early work is still in the possession of her foundation. Niki, perhaps more than I up to this point, understood its value and spent the money and effort to warehouse it, never discarding or destroying it.

Niki de Saint Phalle

Niki de Saint Phalle

Meanwhile I have been balking at storing my early work because it’s too confusing to market to art industry people as I try to make a name and a living for myself. It has felt like a weight on me, a burden, not just because of the physical space it takes up but because it represents old, now dead, released painful emotional experience. Stacks and stacks of canvases that chronicle my personal pain and grief as I released my marriage, my emotionally abusive relationships with my parents and of course my on again off again relationship which triggers all of that old stuff every time it ends.

Learning about Niki and her work made me appreciate myself. She validated my struggles as an artist and confirmed the courage it takes to give everything else up. She caused me to appreciate the journey from personal pain to universal illumination. Even at the end the beginning is present. We hold its hand as we walk into the light.

Jill Joy - Selfie at Niki de Saint Phalle's Tarot Garden in Tuscany

Jill Joy – Selfie at Niki de Saint Phalle’s Tarot Garden in Tuscany

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